Eurovision Song Contest stars reject calls for Israel boycott


LONDON — A group of artists set to compete in this year’s Eurovision Song Contest said Friday they “do not feel comfortable being silent” in light of the ongoing Israeli military offensive in the Gaza Strip, but stopped short of heeding growing calls for a boycott of the music competition over Israel’s participation.

The joint statement — from the entrants who will represent Denmark, Finland, Ireland, Lithuania, Norway, Portugal, San Marino, Switzerland and the United Kingdom — comes a little more than a month before this year’s edition of the pop extravaganza in May. The competition is being held in the Swedish city of Malmo, which said earlier this month that it was prepared for possible protests.

The presence of Israel, which is competing with the song “Hurricane” by Eden Golan, has loomed over the buildup to the competition and fueled calls for the country to be kicked out of the contest. However, the European Broadcasting Union, which runs the event, has allowed Israel to participate after changing the title and lyrics of its entry, which were originally deemed to violate the contest’s rules about remaining nonpolitical.

“We want to begin by acknowledging the privilege of taking part in Eurovision. In light of the current situation in the Occupied Palestinian Territories, and particularly in Gaza, and in Israel, we do not feel comfortable being silent,” the artists’ joint statement said. “It is important to us to stand in solidarity with the oppressed and communicate our heartfelt wish for peace, an immediate and lasting ceasefire, and the safe return of all hostages. We stand united against all forms of hate, including antisemitism and islamophobia.”

Eden Golan.
Eden Golan, Israel’s representative at the Eurovision Song Contest in Tel Aviv earlier this month.Carlos Garcia Rawlins / Reuters / Redux

The statement added: “We firmly believe in the unifying power of music, enabling people to transcend differences and foster meaningful conversations and connections. We feel that it is our duty to create and uphold this space, with a strong hope that it will inspire greater compassion and empathy.”

The statement came a day after an open letter by a group of LGBTQ+ artists, musicians, writers and activists called on British entrant Olly Alexander to boycott the competition. 

Alexander has had international success as part of the band Years & Years, and is among the most high-profile acts at this year’s competition. BBC, the United Kingdom’s public broadcaster, which chooses the British entry, distanced itself from the letter.

“These are the views of Olly Alexander. He is not speaking for the BBC,” it said in a statement.

The group of more than 450 artists and activists under the banner Queers for Palestine had posted the open letter Thursday saying “We ask you to heed the Palestinian call to withdraw from Eurovision.” The group accused the EBU of  “providing cultural cover and endorsement for the catastrophic violence that Israel has unleashed on Palestinians.”

Alexander also posted his own response Friday to the Queers for Palestine letter. “As a participant I’ve taken a lot of time to deliberate over what to do and the options available to me. It is my current belief that removing myself from the contest wouldn’t bring us any closer to our shared goal,” he said.

Irish entry Bambie Thug, who uses they/them pronouns, added a further statement posted on their Instagram account, “As an Irish person with a shared history of occupation and a queer individual, I cannot and will not remain silent.”

Saying they were aware of calls to withdraw from the contest, Bambie Thug said that “stepping back now would mean one less pro-Palestinian voice at the contest. My heart and solidarity has and always will lie with the oppressed, and I remain committed to supporting and using my platform to raise awareness and advocate for change.”

Bambie Thug
Bambie Thug said they “cannot and will not remain silent.”Gareth Cattermole / Getty Images file

The EBU said in a statement: “We understand that these artists wish to make their voices heard in a call for peace. All of us working on this year’s Eurovision Song Contest are mindful of the strong feelings and opinions surrounding the current conflict in the Middle East. We have all been impacted by the images, stories and the unquestionable pain suffered by those caught up in this devastating war.”

The Israeli broadcaster KAN declined to comment and the Israeli Culture and Sports Ministry did not immediately respond to a request for comment from NBC News on Friday. 

When announcing the revised Israeli entry earlier this month, a KAN spokesperson cited Israeli President Isaac Herzog’s desire to have the nation compete in Eurovision. “The president emphasized that at this time in particular, when those who hate us seek to push aside and boycott the state of Israel from every stage, Israel must sound its voice with pride and its head high and raise its flag in every world forum, especially this year.”



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‘Planet of the Bass’ is the song of the summer on TikTok. And it hasn’t even debuted yet.


All hands were up at Mood Ring, a queer bar in Brooklyn, New York, on Thursday night, as the viral song “Planet of the Bass” made its full-length live debut.

No one had heard the track in its entirety before — but everyone in the room sang along to the chorus and verse that they knew every word of thanks to its recent infamy on TikTok.

“World premiere, full song!” Kyle Gordon, the comedian behind the song and satirical persona “DJ Crazy Times,” shouted at the crowd, which broke into cheers.

The song, which was first introduced as a musical skit on Gordon’s TikTok page, features him and influencer Audrey Trullinger dressed in Y2K club outfits, mimicking the style of Eurodance music videos, as they lip-sync to the tune around the Oculus Center in New York City. In addition to being an earworm of a song, the 1990s club outfits in the video teaser and the nonsensical lyrics — like “Life it never die” and “women are my favorite guy” — have become extremely memeable. 

In one week, the video received over 5 million views.

Its success comes as other catchy songs that originate on TikTok, including other summer hits like “One Margarita” by That Chick Angel and “You Wish” by Flyana Boss, takeover the internet

The demand for the full track was so high that the release date for the song has been moved up a week, now dropping online for anyone to stream on Aug. 15. Those at the bar got a sneak peak.

Gordon himself expressed awe at the response.

“It was incredible to see the reaction from a packed house of, presumably, Eurodance fans who all knew the words to a song from a 50-second clip that’s only been out a week,” he told NBC News.

Gordon said he didn’t set out to make a “song of the summer,” as some people online have called it. He knew he made a fun song, but did not expect it to blow up like it did. Part of the success, he thinks, is a result of the timing.

“I might have gotten lucky with the Barbie movie coming out because — and this is like three layers out — it’s like people are talking about Barbie, then they’re talking about ‘Barbie Girl’ [by Europop band Aqua], and then when they’re thinking about Barbie Girl, they’re also thinking about Eurodance, generally. And so this kind of fits into the milieu and that’s obviously not something I planned.” 

The comedian said he has perfected the “DJ Crazy Times” persona for about a decade. He first shared a clip performing as “DJ Crazy Times” in a song from his college a cappella group’s 2013 album. In it, he makes similar nonsensical ad libs as the ones in “Planet of the Bass.” 

The song took about a month to create, Gordon said. He worked on it with writer Brooks Allison and producer Jamie Siegel.

It’s part of a larger comedy album that comes out this fall, which will feature parodies on bossa nova, pop punk and country songs. Many of the tracks will be fuller versions of songs he created and performed for his comedy shows throughout the years.

“I hope people like the other ones as much as this one,” he said. “But I think there are a lot on the album that I have tested either live or, like, online.”

Thursday’s show saw a mix of attendees, including Europop lovers who just came to dance, bar regulars and Gordon fans.

Many fans, like Jessie Sanchez, have been impressed by Gordon’s spot-on impression of the stereotypical Eurodance artist.

As a Eurodance lover, Sanchez said he liked the “DJ Crazy Times” character, which had been a Tumblr meme for years.

Sanchez, 28, said the switching of the singers in Gordon’s videos showed a “commitment to the bit.” 

Juliette Bellinson and Jordan Popov, both 21, found the song on X, the social media platform formerly known as Twitter, and thought it was funny. The couple made an hourlong trek to the venue to hear it live. Bellinson said the song is appealing because it’s mindless and invites people to just dance.

“I think we need stuff that’s less earnest, just music that doesn’t take itself so seriously. I think it fits in so well with our generational ethos,” said Bellinson. 

Popov thought the full song was good, but a bit overhyped. He expressed disappointment that Trullinger wasn’t there in-person.

“I was hoping the girl who was in the music video would be there too. I feel like they were a duo, but it was fun,” he said.

Online, many commenters shared Popov’s affinity for Trullinger’s performance. They expressed outrage when Gordon posted another video of the song with influencer Mara Olney. 

“WHERE IS BILJANA ELECTRONICA????” several commenters asked in reference to Trullinger.

But the voice of “Ms. Biljana Electronica” is not her. It’s actually singer Chrissi Poland. Gordon said his videos with Trullinger and Olney were inspired by the common trope in 1990s Eurodance music videos in which the singers would be replaced by various models.

Aqua also served as one of the inspirations for “Planet of the Bass.” Gordon paid tribute to the group by ending his 10-minute set with their song “Roses Are Red,” to the delight of the crowd.

“I wasn’t here for him,” said Anthony Georgiou, 23, who went to the bar to catch hulaHOOP’s resident DJ moistbreezy. “I was kind of scared when I heard that [Gordon] was on the docket, because I didn’t want the party to be interrupted for a kind of joke. But he kept the energy going.”

CORRECTION (August 4, 2023, 9:15 p.m. ET): A previous version of this article misspelled the name of Jamie Siegel. It is Siegel not Siege.



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